howling fantods, pt. 1 of many

June 26th, 2009

Right on schedule, I started Infinite Jest on Sunday morning. Concerned about the raucous beating that being schlepped around by bike in my bag doles out to absolutely everything I own, I cut up a brown paper bag and swaddled my book in it. The bag-cover has turned out to be very convenient for noting down memorable pages and scenes and the page numbers of like the chronology of subsidized time and the J.O. Incandenza filmography and other things I want to revisit. The pages of my copy are pleasantly yellowed and otherwise unmarked.

So far my casual hypothesis that I’d get more out of this book as an older young lady with more life experience and a marginally improved vocabulary has been borne out. I don’t think I could have predicted the surge of affection I felt towards Mario when he made his first appearance, though; I’d forgotten how fond I am of that guy. Also reading Infinite Jest in the age of Wikipedia has some advantages: I was able to confirm that the Bolex camera Mario uses looks basically exactly like I’d already imagined. Also also it’s nice to have been to Boston, if only for a few days last year, because now things like Allston and the green line are sort of more meaningful, placed in their geography. A whole ‘nother rumination is how investigating the geography of a novel alters one’s reading of it: last week as I finished Proust, nickd pulled up the Champs-Élysées on Google Maps and we wandered around where the narrator and Gilberte had their games. While it was exciting to see images of this place as it is now, I think I prefer just to imagine it as it was described a century ago, just as it sometimes makes more sense to imagine a wholly different dystopian near-future Boston than it does to graft the events of Infinite Jest onto a real place from my memory.

Also on the beloved-works-of-fiction theme although otherwise unrelated to basically everything, the short story in last week’s New Yorker is a sequel of sorts to my favorite Flannery O’Connor story (which basically I am saying “my favorite short story,” because Flannery O’Connor is pretty much the defending world champion of the form, in my mind), which story is called Parker’s Back, and if you have not already read it a couple times over, get away from the computer right now and get to a library or your local independent book retailer or whatnot. That is all.

ambivalence avenue

June 19th, 2009

Increasingly (or maybe just continually) whenever I write things up in this piece they are about a reluctance to write things, or at least that’s the sense they leave me with once written. But and so it seems a fitting place to kick around an idea that’s been pinballing around some of my frequented internets: Infinite Summer, a sort of loosely structured internet book club for reading Infinite Jest. Although I’m now planning to start on their schedule and reread that book that was such a kick in the pants to my sixteen-year-old self as I turn twenty-four, I’m still deeply ambivalent about the intersection of social media and that particular book, and about my own participation in it. As someone who’s rereading it, am I even part of the same project? Do I really want to revisit and share (with strangers) the experience that seemed so defining and revelatory to high-school me? Can I face the reality that someone somewhere actually might, as we speak, be reading Infinite Jest on a dang Kindle? (I feel like a necessary part of the process is figuring out a way to carry your copy around, and mark the footnotes and your page and every favorite quote, and keep your wrists from getting sore from holding up such a bricklike tome. I found Katy’s solution particularly clever.)

I don’t know if vacillating between the extremes of “Hooray, something I love is now something I can share with hundreds of other people! Thanks, internet!” and “Crap, something that I once thought made me a special unique snowflake is now associated with a hashtag on Twitter! Thanks for nothing, internet!” is the usual reaction. And I don’t know if there’s any problem with not knowing. I know the thing that hits me in the pit of the stomach every time I think of starting this project, which otherwise feels like packing for an anticipated vacation, is the memory of finding out that David Foster Wallace died, and, days later, trying to write down what that had meant and then crying onto a moleskine in a coffee shop over my own inadequate run-on sentences, of scouring these tributes for weeks and sending out emails that were an excuse to reconnect with the people who discovered DFW for me, but which were underscored with a plea to make sense of how the world was like this.

The world was like this when I read Infinite Jest the first time: it was winter in North Carolina, and unusually snowy and icy, and this was provident for my reading/homework balance because snow days out of school were days to read that book all day in my twin bed in my parents’ house. The following things in the room were blue: one wall I had painted, the bedspread, a pair of Chuck Taylors on which I sharpied “So yo then man what’s your story?” I remember dog-earing so many pages, and writing down as a reminder some advice lifted from one of Gately’s meetings which served me well as a teenager, something to the effect of You will not worry so much about what others think of you when you realize how little they do.

I doubt those were spoilers. Maybe they are guideposts. Maybe these are reasons to write things here. I’d also like to write up some thoughts on the buttload of Proust I just read, which is another tenuous connection back to high-school me, who meant to get around to Proust after reading de Botton. I don’t think I’d quite have seen the point then. I guess I can’t really know if I do now. Maybe the rest of my life should be an exercise in rereading. I can imagine worse fates.

so here’s the deal

May 26th, 2009

I decided not to move this site to tumblr because there isn’t really a built-in mechanism for commenting there. Even though 19 out of 20 comments I get are about cheap viagra or hot teen sex, the 20th is invariably worthwhile, and I have a fancy robot that eats the rest of them. I did, however, set tumblr up as my supplementary craft-blog-thing and that’s working out so far. If you like to hear about knitting and sometimes also cooking and sewing and how much I like the Dirty Projectors, check it out.

Let’s see, what’s new. I went to Portland, my first foray west of the Midwest (aside from three days in Texas once). They have hooks to hang up your bike on the trains there, which immediately impressed me. I am far too familiar with trying to balance a bicycle against my legs while also not falling over in an el car. (I am not that good at not falling over on my own, so motion and heavy, unbalanced loads certainly do not help matters.) Also the only town I have been to that is nearly as pretty as Portland is Brighton, and that place is by the ocean. If Portland was further east, such that it would not be utterly impossible for me to visit North Carolina on short notice sometimes, I would instantly live there. Also: if it wasn’t the hardest place to find a job.

The other new thing I wanted to note is that once again someone else put the problem with writing more incisively than I could (see her #1 footnote and also the first paragraph of the post). As though unspooling the sentences didn’t feel fantastic on its own. And it’s not as though I don’t unfurl some sentences in my terrible handwriting in occasional letters and sometimes in twitters or in my journal, but there’s something to be said for sending them out to A Reading Public.

And so and but the final new thing is spring in Chicago hesitantly sneaking into summer. The change of seasons always feels so novel and surprising, like when you are a teenager and feel like all the things you’re feeling must be happening only to you, and no one could possibly understand how it is to feel them, with the possible exception of your favorite bands, and everything is extremely confusing but also sort of great.

I just compared summertime to puberty. Deal with it.

it’s a brand new era, it feels great

March 24th, 2009

Yeah, things happened and now it is a bunch of months later. I’ve had some thoughts kicking around that are finally starting to coalesce. Some of the thoughts are about all the “social media” that the kids are into these days, and some of them are about things that work and things that don’t.

It’s probably not one of my better qualities, but I’m usually pretty reactionary towards shiny new things. It’s a deep-seated suspicion of anything that gets very popular very quickly, combined with a grammarian’s mistrust of anything intentionally misspelled (flickr, tumblr, and so forth). This tendency is why I took so long to join flickr or facebook or basically anything else I currently use; it’s why I had a personal website for like eight years before I actually used actual software to power the posts instead of hand-coding each one in html like a crazy person (or a nerdy kid with a lot of free time). It’s also why, when I find something that works, that is not only new and shiny but also suited well to filling a need, I stick with it to the bitter end.

The bitter end for my old ipod probably should have been around when I graduated from college, at which point I had dropped it on too many tile floors to count. But it clung (still clings, as far as I know) to life. I had to reset it on three separate occasions, but the hard drive, despite the occasional ominous clicking, is still trucking away. The battery may only hold a charge for about 15 minutes at a time, but it was mine, dang it, and I wasn’t about to replace it with the next new thing that came along. Then I got an ipod touch for Christmas and I had to reconsider my love affair with this broken object that I’d fit more or less seamlessly into my daily routine for years. I was afraid that the new ipod, with its fancy color screen and wireless capability, would distract me from its primary task of holding and playing all of the music I want to hear. Sometimes it did; I played a few rounds of Katamari Damacy on it before it became unbeatably difficult for my uncoordinated self. But mostly it just works, and I recommend it to my friends and loved ones, even though I constantly try to conceal it on the el for fear that strangers will think I am one of those people who can’t loosen their grip on their iPhone.

The problem with scorning new things before I adopt them is that I’m constantly on the verge of becoming the thing I hated. While I certainly don’t hate iPhone users, I get frustrated with how ubiquitous the device is, and how reliant people can become on it. The same is true of Twitter: every time I came across an article about how it was the cool new thing that all the kids are doing these days, I became more determined not to be one of those people with their cool new shiny website. Certainly my propensity to be really prolix all the time and my burning hatred of text-message-speak contributed as well. (It is never okay to use “u” instead of “you.” Let’s all just agree on that and society’s decline will move just a little bit slower.)

Then, disaster: My dad joined Twitter. Moreover, my dad joined Twitter and started messaging my boyfriend. Obviously this could not stand unchecked, and it gave me a chance to see what the big deal was about, so I signed up.

I’m still not proud of it, but I like Twitter.

Sure, it’s not perfect, and there are a lot of obnoxious semi-literate people inexplicably using it to try to get laid, but that’s why I never look at the public timeline. Enough of my friends use it that if I post something like “What’s going on tonight?” there’s a good chance I’ll find something awesome to do. Because people I care about are checking it, it’s the new useful thing. Like everything else that ever gets any more personal about me than this site does, I keep it locked, but you can find me here. Suffice it to say I’ve updated there more often than I have here in the past few months.

The infrequency with which I find my way into the WordPress-updating corner of the internet has led me to consider that this might be a thing that’s outlived its use. I signed up for tumblr yesterday, and if I continue to like what I see over there, I’m going to make that my site-updating utility of choice here. Hopefully it’ll stick. Perhaps having something that lets you “follow” your friends all in one place instead of just passively linking to them will remind me who my audience is.

If you’re using tumblr or twitter or any other new things that you find useful, please comment and let me know where I can look at yours, and I’ll try it out for myself if I think it might fit. I’m trying to rein in my contrarian side: like all useful things, it’s nearing the end of its worthwhileness to me.

politicky one more time

December 12th, 2008

So I just realized that I was in New York City on the day that the Eliot Spitzer scandal broke, and I was in Chicago on the day that our sleazy, sleazy governor was arrested. Considering this track record, I’d like to extend the following offer: fly me into your major metro area, I’ll hang out and chill for a few days, and your governor will be angrily ousted in a career-ending imbroglio! Then we can all have a good laugh. I am going to watch Jon Stewart make fun of Rod Blagojevich’s terrible, terrible hair some more now.

I did also want to mention that the site will probably go down for a bit sometime between now and Christmas as I change hosting providers, but I will return. Cheers!

yes we did

November 6th, 2008

I am not even kidding: I spent the last three months freaking out about presidential politics.  There were all these nightmares where like Dick Cheney and John McCain were making jowly gruff faces all over the place and Sarah Palin was somehow related to me and everything was just going terrifyingly to hell in a handbasket.  Then, two days ago, I was in Grant Park for Barack Obama’s acceptance speech.  While I don’t believe he has magic powers of single-handedly healing everything that’s wrong in this country, I do think he has the greatest potential of any candidate I’ve seen in my (admittedly short) lifetime.  That he just won North Carolina, which I never thought I’d see a Democrat do in my lifetime, is even more encouraging.

Because my dad asked for a full report on it, here is what being in Grant Park in Chicago on the night of November 4th, 2008 was like.

It was exhilarating. There was a very pervasive sense of history in the making; the petty gripes that naturally arise in a crowd of strangers sharing close quarters over several hours were hushed. Adrenaline kept me on my feet and cheering every time a state went blue on the jumbotron display of CNN. The crowd seemed mostly young, although among the folks around my age and the kids holding on to their parents’ hands and shoulders, I noticed one tall man several rows in front of me wearing a mechanic’s navy blue jumpsuit. We had gone through three security checks, the last one being a metal detector manned by TSA and Secret Service officers, and I had taken my ticket’s warning “Please limit personal items” to mean don’t bother with a camera, but nearly everyone had one in hand. They were taking pictures of themselves, of each other, of good news on CNN. I cheered when news came in from North Carolina, and the crowd roared every time a state went blue - and especially for Pennsylvania and Ohio. As the West Coast polls began to close, everything seemed to happen very suddenly. The victory we were all hoping for was sudden and decisive, with none of the talk of recounts or court challenges that I had feared, and before I had quite grasped the electoral vote tally surpassing 270, John McCain was delivering his concession speech. No one I could hear booed or jeered; we took it in all of its apparent graciousness and sincerity, and it repaired some of my respect for him as a public servant. The only boos I heard were directed at Sarah Palin, whom I look forward to not thinking about for a good long time now. The women next to me, campaign volunteers who’d worked all day in Indiana, yelled goodbye and good riddance as she waved to the Arizona crowd.

The concession made it real and official for me, and the time in between that and Obama’s appearance at 11 felt like a sigh of relief and a huge group hug, 150,000 strong. People danced to the campaign soundtrack and shouted along to “Signed, Sealed, Delivered.” There was a benediction, the anthem, the pledge, and then the 44th first family took the stage, smiling and waving, before Barack delivered his acceptance speech. Standing about 200 feet from the stage, I could occasionally catch a glimpse of him in person through the throng, but the jumbotron offered a better view.

It was a fine speech, acknowledging the hard work done by workers and volunteers and, even more, the hard work ahead. Towards the end it picked up the chant that the crowd had propagated off and on all night: Yes we can. Yes, we did. It was still stunning with every repetition.

The walk out of the park (interrupted a couple of times when the CNN cameras panned over our heads and everyone crowded around and waved; I still don’t know if I was somewhere on TV that night) continued in the same vein of stunned relief mixed with proud accomplishment. On every corner and in the middle of some sidewalks people were hawking different designs of Obama shirts, many based on the iconic Shepard Fairey design. (I expected to see that dude’s art associated with a presidential candidate about as much as I expected to see North Carolina vote for a black Democrat from Chicago in my lifetime, which is to say I did not ever expect it.) At Wabash and Harrison, a tall young guy held aloft a McCain yard sign and called as the crowd passed by, “Souvenir! Five dollars! You’ll never see one of these again!” I laughed and rode out towards home, ringing my bike bell and shouting along with every group cheering on Obama’s election on the sidewalks of Chicago.

I’m still thrilled and thankful that I had the chance to be right in the middle of this Big Deal History Thing. It certainly shook out at least some of my cynicism with the political process. And now that I can no longer freak out about the election, I hope to channel my energies into more productive things, like writing here and co-editing thbpppt, a photo-zine whose title is pronounced by blowing a raspberry, and knitting fine garments. I am also reading the work of another fine Chicagoan, Studs Terkel, which I would eventually like to write some stuff about. It’s fascinating stuff for the interesting times we’re in these days.

getting loud and silly

August 27th, 2008

Seems like the longer I’ve been meaning to say a semi-insightful thing, the less insightful and the more bogged down in tangential gibberish it becomes.  The week after I saw Les Savy Fav at the Pitchfork Music Festival, I jotted the things into my notebook that I didn’t want to forget.  Then, naturally, the many things of life intervened and I forgot about the notebook.  I don’t think I’ve lost track of why touching Tim Harrington’s butt was a highlight of my summer, though, and it kind of explains what’s interesting and fun to me about live music.

I know nothing about music.  This is hardly an exaggeration: I can tell you the names of all the Beatles, but nothing about what makes up a chord, or the bridge of a song, or what differentiates acid house from acid jazz (I turn to Ishkur’s guide for those sorts of things).  It’s not that technical virtuosity on an instrument doesn’t impress me, it’s just that half the time I don’t know it when it’s hitting me in the face. After about ten years of avid seeking-out and listening, though, I (at least mostly) know what I like.  It’s less a certain genre, a particular beat structure or a distinctive guitar tone, than a set of responses it can provoke. I look at musical performances as rarefied presentations of these thoughts or feelings or whatever you want to call the neurons that fire in response to some sounds.  The acts and antics I’ve loved the most have built upon those responses.

Put less fancily: these shows look like fun.

For three years before I saw them, I’d heard from nickd how ridiculous Les Savy Fav’s live show was, and how Tim Harrington, their lead singer, was pretty much guaranteed to get naked and act crazy.  I was worried it wouldn’t live up to the hype, but it did.  In the post-show interview I read with him, which I’m now failing to find for hyperlinkin’, he talks about how his part of the show is done to amuse the rest of the band, to make them the audience.  I liked that way of seeing his job.  He has an ideal combination of enthusiastic energy and self-aware absurdity to bring an audience and the band they came for together in one big silly spectacle.  Dressed in a Sherlock jacket over ripped shiny leggings, he asked “Why can’t we do this every day?” It seemed like a good question at the time, and it seems like a good amusement to stand in a field full of strangers yelling along with a bearded, half-nude guy swinging a microphone into the crowd.  This mass of people all saw a different show: I was standing front and center, but I missed what was the highlight for some friends elsewhere in the crowd when a huge black trash can containing Tim Harrington came crowdsurfing across the field.  The band didn’t miss a beat.

It wasn’t, of course, the butt-touching that was the fun of that show. It was sweating to a song about sweating, and then having a different story to tell, a different connection with those sounds, than I’d had before.  It’s thrilling to celebrate something, like music, that I privately delight in, alongside so many others who are given over to their own connections to the same spectacle. It’s thrilling, every once in a while, to let yourself be distracted: to watch the crowd as well as the performance, to follow one instrument over another, and then to let it all settle back into a series of familiar sounds surrounding you in an unfamiliar place.

think of the houseplants

August 20th, 2008

The thing seems to have happened again where I keep thinking that maybe the next night I will write a post, and then suddenly it is a month after I started thinking that and there’s no new post here.  I did change the picture up top, though, from some train tracks to some people at a carnival. And then I went on a long train journey, and then I started reading Dead Souls on top of The Death and Life of Great American Cities for some reason, and I got some new cameras and started shooting film again. Et cetera, et cetera. All of these things have merit, as does nickd’s begging of me to write that post about Les Savy Fav that I promised. They will be gotten to! Seriously, I am setting goals here. More words will spring forth from my keyboard onto the internet within a week, or you can come over and, I dunno, yell at my wilting houseplants or something. I don’t want anyone to kick them while they’re down, and they’re getting down as the days get shorter.

city maps and love notes

July 24th, 2008

Dang but a lot of things just keep happening! I am still in full-fledged recovery mode from the Pitchfork festival, highlights of which included not dying in the mosh pit for No Age and singing/yelling “Patty Lee” into the mic/Tim Harrington’s face.  (Here is a picture of Tim Harrington’s face, and also a dude who paid him $2 for a haircut.)  That bit with the sing/yelling of my favorite song of 2007 was also one of the highlights of my concert-going existence.  Holy butts.

I have an entirely different post planned about why Les Savy Fav are such a monumental live act, but first, some paragraphs are in order.  I wrote them into a little notebook while waiting for a bus last weekend, because I realized that July 3 was the anniversary of my move to Chicago.  In the first hours and days that I spent alone here, as a visitor and then as a resident who felt like she was permanently on vacation, I noticed how much longer a block seems when you don’t know what is on it.  The seven blocks from Nick’s former apartment to the blue line seemed like an epic journey of several miles for the first few days.  By winter, despite the winds and the struggle of my shoes against the slush, the distance had shrunk to a standard twenty minutes down the same path or a close variation on it.  I’d charted the path in my memory and mapped it to an accurate scale.

Having been here for one year, it still seems like I do something new surprisingly often, wheter it’s visiting a new restaurant or walking around a slightly familiar street at a different time of night or going to the Taste of Chicago.  (That last one I don’t really advise, unless you really savor watching very large and very slowly-moving crowds stuffing their faces.)  I’ve been on top of buildings and below streets, and stuck, once, on a brown line train with signal problems on the curvy cusp between stations.  I’ve learned the way the street grid bends to make way for the river and how it wraps itself along the lake.  One block is an eighth of a mile, a fact I latched onto in my first days here and still use, methodically, to count my distance from home at any given point.

Once when I was in high school, my boyfriend and I wanted to go to Central Oriental for unpronounceable Asian soft drinks and cheap tea, so we had a friend and neighbor of his who knew the route draw up a map for us.  The route from his neighborhood to the store was straightforward enough; it was what Google Maps would display automatically, or what you’d quickly deduce from an atlas.  In the surrounding space, though, he’d drawn things like space dragons and a lunar trampoline: the idea being, I guess, that when we hit the lunar trampoline and were catapulted into space in a ‘96 Buick Century, we would know we’d gone past the turn for the Asian grocery store. The thing I notice now, though, is that a city - a smaller one like Charlotte or a denser and long-established one like Chicago - has more ever-changing sidewalks than one person can ever walk down, more space than a lifetime can fix into memory. If there was a lunar trampoline we wouldn’t have known; it was off our path.

On the map of Chicago I’ve drawn up in my mind, there are lots of blank spaces where a lunar trampoline might go. There are the blocks that I’ve lived in and frequented: those are the colorful, well-annotated bits. Then there are the parts that are purely theoretical. Ever the informed native, nickd will sometimes quiz me: Where’s Naragansett? Never having been there, I answer: 6800 West. It’s far out of my way, but I have the grid to guide me, with the things I remember shining brightly and the sketchy dotted lines and lunar trampolines in the distant corners: the imagined bits of a map that I’m pleased to say I’ll never complete.

two unpleasant places to be bitten by bugs

July 7th, 2008
  • the arch of the foot
  • the direct-ass center of the chin

Summer is here! Again! Some more! I’ve spent some of it lying under a tree on a blanket and reading, which is generally my favorite way to spend my uncommitted time in good weather. I am reading The Death and Life of Great American Cities, which strikes me as astonishingly relevant, considering that it was written and published nearly half a century ago. It’s beginning to explain why my neighborhood is the way it is, and why it sucks to be downtown after 5 pm ever, and why Millennium Park is such a neat thing to have around. I could expand on that, or I could go the lazy and inarticulate route and say read the book. People should read that book, especially people who live in cities, or people who think that living in cities is a scary prospect.

A thing that I like that happened in a city that I live in is that I found a mix CD in a newspaper bin, and its tracklist on a website.  I always enjoy when the internet and the actual world commingle and cross over and it is for the purposes of creativity and connection, rather than bogus viral marketing and such.  Being marketed to is tiresome, but finding unexpected neat things that have nothing more to say than “here is some neat music” or “you are beautiful“? That will always be rad.